20110211
20110116
20110102
Shpongletron NYE
Photos & video of dvj & shpongetron in action, from the Dec 30th/31st shows:
Labels:
dvj,
projection mapping,
Shpongle,
Zebbler
20101229
Shpongletron
My friend Zebbler is Shpongle's VJ for their 2011 tour, and will be using dvj to drive the visuals & lights.
dvj now supports projection mapping
The giant structure Zebbler constructed, under normal lighting conditions
Labels:
dvj,
projection mapping,
Shpongle,
Zebbler
20091211
Glitchgiving Micro-Documentary
Big up to Zebbler and Travis for this awesome video of Glitchgiving 2009:
...and of course Vinyl Blight for the absurdly catchy & glitchy soundtrack, Big Man Cut Down.
As soon as Joed releases his video for Big Man Cut Down, I'll post it here. Easily one of the best videos of the year!
...and of course Vinyl Blight for the absurdly catchy & glitchy soundtrack, Big Man Cut Down.
As soon as Joed releases his video for Big Man Cut Down, I'll post it here. Easily one of the best videos of the year!
Labels:
Glitchgiving,
Joed Polly,
Vinyl Blight,
Zebbler
20091204
Live at Glitchgiving, Boston
Click this video to go to youtube, and see it in HD resolution:
For the first time, I had the opportunity to perform on an ultra-bright 3-projector 1920x480 display.
It took me a solid week to prepare 60 minutes of ultrawide video for that show!
More information (including audio + video) to follow in the coming days...
(Big up to the Glitchcrew!)
For the first time, I had the opportunity to perform on an ultra-bright 3-projector 1920x480 display.
It took me a solid week to prepare 60 minutes of ultrawide video for that show!
More information (including audio + video) to follow in the coming days...
(Big up to the Glitchcrew!)
20090813
Broken Note - Let Em Hang
I'm (very) excited to share with you the first video I've been commissioned to create:
(IMPORTANT: Play in fullscreen mode)
This is the cumulation of my experiments with algorithmic music videos, generated by AI. Only ~5% of the mixing decisions were made by a human.
Ever since I discovered Broken Note via DJ Intoner, I've been enamored with their sound. Any time I spin Dubstep, Broken Note's tracks are more often than not the climaxes I build up to. Needless to say, I was breathless when they asked me to make a video for them. Fortunately, I had the good sense to nod. Emphatically.
I've made all the source code used to create this video available under the GPLv3, 'cause that's how we do things around here.
For a full write-up of this video (including a link to the source code), please see its Vimeo page.
Note: The version you're viewing is only 30 frames per second, and 720x480... The version Broken Note and I will use for live shows is in a 1920x480 ultrawide 3-projector format, and at 60 frames per second. 60 fps is intense.
(IMPORTANT: Play in fullscreen mode)
This is the cumulation of my experiments with algorithmic music videos, generated by AI. Only ~5% of the mixing decisions were made by a human.
Ever since I discovered Broken Note via DJ Intoner, I've been enamored with their sound. Any time I spin Dubstep, Broken Note's tracks are more often than not the climaxes I build up to. Needless to say, I was breathless when they asked me to make a video for them. Fortunately, I had the good sense to nod. Emphatically.
I've made all the source code used to create this video available under the GPLv3, 'cause that's how we do things around here.
For a full write-up of this video (including a link to the source code), please see its Vimeo page.
Note: The version you're viewing is only 30 frames per second, and 720x480... The version Broken Note and I will use for live shows is in a 1920x480 ultrawide 3-projector format, and at 60 frames per second. 60 fps is intense.
Labels:
Broken Note,
dubstep,
Intoner,
source code,
video
20090623
20090612
DJing Saturday w/ VJ Luna, Vocalist for The Orb
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